All posts filed under: Analysis

Vulnicura, Deoxys and Vaginas

Yellow has never seemed melancholic until it appeared on Björk’s new album, Vulnicura, that was released on iTunes yesterday as a surprise after its online leaks. Nonetheless, it’s a heck of a treat for all. Foreign, artificial, yet familiar and natural, the cover artwork suggests a transformed, mature Björk clouded in serenity. What else does it say? Björk’s studio album covers carefully follow a formula: a self-portrait from the stomach up (in Volta, only her head is really shown — the rest is a statue, so it’s technically not her), laid against a digitally rendered background, and she’s dressed in an outfit that epitomises the sound of each album, threading a narrative (or rather, worlds) together. Debut saw her diving into a new world, where she felt homesick and resulted in Post; her frustrations erupted into Homogenic and calmed down in Vespertine, where she fell in love; Medulla commemorated the birth of a child, Volta encapsulated the spirit of a mother; and in Biophilia, everything seemed to have come together as she ruled the universe. Four years later, however, Vulnicura contradicts the sentiment. It says: …


What Makes A Talk Fruitful?

I remember getting irritated over Phobe Philo’s seminar at Vogue Festival, and I find it disappointing to listen to my hero failing to further elaborate on some of her extreme statements. One of them was: “I hope that when women wear Céline, they feel good and confident and strong. And I guess there’s a political statement behind Céline, which is that the woman should go out there and do what she wants to do.” Of course. I paid $2000 for that viscose-cotton skirt. I should feel invincible in that Resort 2014 piece. How political. *scoffs* Thing is, like in many political systems of many countries, the Céline woman derives her leadership, power and status from money. I don’t think I buy Céline to be stuck, nor do I think any woman buys luxury goods to stay in and be forced to do things she doesn’t want to do. I buy into what Philo produces simply because she offers something appealing, original, utilitarian and meaningful. But at that interview, what was Philo saying? It seemed like nonsense you throw out …


Prada’s A Bitch — An Introduction

Yes. This lengthy article is an introduction, but I guarantee you, it will be worth it. I meant to interest both fashion and music enthusiasts. The latter may consider this bullshit, since music ain’t exactly my turf, even if I do cite proper references. It’s happened in the past. But I don’t want to bastardise the epicness that is Bitches Brew, a phenomenal album that has started fights between me and random people at record stores. Plus, I didn’t intend on having a provocative title. But when your subject matter includes a former pantomime-turned-iconic-womenswear-designer and a musician central to almost every movement in Jazz, how could you not? It won’t do any justice. ‘Prada’s A Bitch’ refers to the relationship between the Italian designer and American legend, referencing the latter’s bestselling album, in the focus of the Fall 2010 collection created by the former. When I was writing this, most of my attention had directed towards constructing a mental Venn diagram demonstrating the intersections between the disciplines of music and fashion. Another related article, written about sounds in fashion, is pending to be published. …